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Slapping and popping are percussive playing techniques used on the double bass and the bass guitar. On the double bass, slap bass refers to a percussive style of playing used in rockabilly and psychobilly in which the strings are pulled away from the fingerboard until they snap back onto the fingerboard and slapped against the fingerboard. With the bass guitar, slap and pop playing is used in disco, funk, and related genres. It involves slapping the lower two strings with the bony part of the thumb and popping notes on the higher two strings by pulling the string until it snaps against the fingerboard, producing a percussive sound. ==Double bass== On double bass it refers to the technique that is a more vigorous version of pizzicato, where the string is plucked so hard that when released it bounces off the finger board, making a distinctive sound. A percussive sound can also made by smacking the strings with some or all of the fingers on the right hand in between the notes of a bassline, usually in time with the snare drum. The earliest players of this technique in American music include Steve Brown,〔 Bill Johnson, Pops Foster,〔Cary Ginell, ''Milton Brown and the Founding of Western Swing'', University of Illinois Press, 1994, p. 252. ISBN 0-252-02041-3 see also: ''The Jazz Book''. Lawrence Hill, 1975, pp. 278–84; ''The Complete Encyclopedia of Popular Music and Jazz House''. 1974. pp. 923–24.〕 Wellman Braud, and Chester Zardis. Slapping the bass is a technique used by many bands since at least the 1920s; it came into popular use in the 1940s. Slap bass provides a strong downbeat when the string is plucked and a strong back beat when it slaps back onto the fingerboard of the bass. It creates a very percussive sound and adds a lot of drive that is particularly good for dance music.〔Text from Experience Music Project in Seattle, WA.〕 Yet another explanation is that snapping the strings against the wood of the instrument supplies a crisp, intense sound which can supply the foundation of a dance band.〔 Slap bass was used by Western Swing and Hillbilly Boogie musicians, and became an important component of an early form of rock and roll that combined blues and what was then called hillbilly music—a musical style now referred to as rockabilly. The technique inspired the George and Ira Gershwin song "Slap That Bass". Slap bass continues to be used in the 21st century, as it is widely used by modern rockabilly and psychobilly band bassists, including Kim Nekroman (Nekromantix), Geoff Kresge (Tiger Army), Scott Owen (The Living End) and Jimbo Wallace (The Reverend Horton Heat). Kresge's rapid slapping ability is all the more remarkable given that for much of his career he was an electric bassist. The top rockabilly and psychobilly bassists have developed the ability to perform rapid triplet slaps at the same time as they play a walking bassline. This (video ) shows German rockabilly bassist Didi Beck performing a virtuosic slapping technique. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Slapping (music)」の詳細全文を読む スポンサード リンク
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